Henri de Toulouse-Lautrec Essay -- Visual Arts Paintings Art

Henri de Toulo lend oneself-LautrecHenri de Toulouse-Lautrec was arguably the greatest graphic graphicsist ofhis succession he is best remembered for his bold, colourful posters ofParisian entertainers. His childhood years were fatigued at his familychateau in the s tabuhwest of France where he broke both of his legs andtherefore stunted his growth. This left him ill proportioned anddwarfish. This poor event probably helped his artistic abilityas he spent most of his time on his own.Lautrec was at his peak as a createer and poster artist in the early1890s at the time of the post impressionists.During his life Lautrec felt most comfortable in the nightclubs, terpsichorehalls and brothels of Paris. The narrow life he led is clearly shownin the art that he produced. Lautrec was best renowned for hisdelineations of the Moulin Rouge and other Parisian entertainers. Lautrecwas non the first artist to make the Parisian entertainers serioussubjects to key fruit, Edouard Manet and Edgar Degaswere among the firstto paint the Paris nightlife and others soon followed their lead likeLautrec.Although Lautrecs many paintings looked spontaneous and happy-go-lucky heas never slapdash as in he was never messy or careless. He was infact a dedicated craftsman who knew a lot about the technical mattersof his drub, oddly printmaking. Even after a rough night he wouldbe up to supervise the printing of his lithographs bright and early.Lautrec always carried a short field of studybook with him so he could quicklydraw or sketch whatever caught his attention and today thousands ofhis rapid drawings still survive in the original sketchbooks. He hasalso r separatelyed the elevated position of a deadened artist where there is amuseum dedicated to him and his work in Albi, France boney to where hewas born near Toulouse. In the actual paintings of his sketches he act to keep the spontaneity of the first sketch and therefore desireto work quickly. To work fast he liked to use pai nt that was diminishedconsiderably with turpentine, which was called peinture a lessence,which allowed him to so called draw with the brush. He also liked touse absorbent cardboard instead of canvas so the paint would changequicker and therefore could maintain his momentum.Most painters take on a assay-mark technique and Lautrecs trademark wasthe printmaking technique called crachis or ... ...reas before thisaddition the painting must have been a restrained and balancedmasterpiece. The unidentified redhead sitting at the table is wearingan exotic headdress that stands out magnificently against her redhair. If you look at each person they each have a distinctive hat orhairstyle as Lautrec was interest by different styles of headwear.The mirrored soil that lines the walls gives the painting anundefined orbit so the silhouetted figures stand out boldly inthe mirror. I liked this painting because it shows the somewhat quietof the normally busy Moulin Rouge. The way Lautrec contra sted thebrilliantly painted woman and the redhead at the forefront of thepainting with the blacks and browns of the background also attractedme. I also admired the way Lautrec maintained the spontaneity allthrough his work.My favourite painting of the two that I have talked about is At theMoulin Rouge because I think that this one looks more difficult topaint than At the circus Fernando as it is in greater detail andmost significantly I think it looks better. But take nothing away fromAt the Circus Fernando as this is also a brilliant piece of art.