On the Backs of Blacks and Sorrowful Black Death Is Not a Hot Ticket :: Sorrowful Black Death Is Not a Hot Ticket Essays

On the Backs of Blacks and grievous Black Death Is Not a Hot Ticket In both Toni Morrisons On the backs of blacks and bell hooks Sorrowful Black Death Is Not a Hot Ticket the authors plan of attack to analyze the role and discourse of blacks in motion pictures. Morrisons essay deals with what she c everys draw talk, and defines as the explicit insertion into everyday life of racial signs and symbols that find no meaning other than pressing African Americans to the low level racial hierarchy (Morrison, 1993). Hooks essay similarly analyses the issue of terminal for blacks in movies to which she concludes that there can be no serious imitation of death and dying when the characters be African-Americans. (hooks) In both these essays there ar huge errors made in their thinking, and their analyzation. Hooks, in her opening paragraphs attempts to compare the delineation of black vs. white death in films. In her comparison she blows all future credibility with cri tical readers by using typefaces that obviously dont have any baring on the point she is trying to make. The example she gives for a white death is that of Tom Hanks character in Philadelphia, a homosexual lawyer with AIDS who had taken his firm to court because of their bad treatment towards him because of his disease. For this case she points out that even before tickets are brought and seats are taken, everyone knows that tears are in order. (hooks) Hooks then goes on to apologise that There is no grief, no remembrance for the deaths of blacks. She uses the film The bodyguard for her example of black death, citing the scene where the sister of Rachel Marron (Whitney Houston) is accidentally assassinated by the orca she has hired to kill her own sister (Hooks). These two examples have cryptograph in common. The character in Philadelphia deserved sympathy when he died because he was treated unfairly for a condition he had no find of. The character in The Bodyguard neither deserved nor received apprehension for one reason. It had nothing to do with her blackness, that was a non-issue, it was because she was a murderer who in an ironic twist was murdered by the assassin she had hired.